What goes around Singer-songwriter revisits his hip-hop roots on new album that plumbs his past

Leonard Sumner’s musical journey has come full circle in more ways than one.

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Hey there, time traveller!
This article was published 20/04/2021 (1248 days ago), so information in it may no longer be current.

Leonard Sumner’s musical journey has come full circle in more ways than one.

Cover art by Luke Swinson
Leonard Sumner’s third album, Thunderbird, is a return to his roots as a hip-hop artist.
Cover art by Luke Swinson Leonard Sumner’s third album, Thunderbird, is a return to his roots as a hip-hop artist.

In March, the Anishinaabe singer-songwriter from Little Saskatchewan First Nation released Thunderbird, his third full-length album and a return to his roots as a hip-hop artist.

Sumner has never been tied to one sound; since 2013, he’s been putting out music that blends folk, country and rap vocals atop the steady strumming of his acoustic guitar. In Thunderbird, the twang has been replaced with beats and rhymes.

“I was able to launch a career in the folk world,” he says. “I was taking my time in a different genre and now I felt like I wanted to come back to hip hop.”

Sumner started working on the eight-track album in 2019 as a way to cope with the recent death of his mother. The name came first — Othawii Pinaythee or Brown Thunderbird was his mother’s spirit name — and the songs flowed out of the archives.

“I told myself, ‘I need to do something to keep my mind occupied, to have some space for this grief to go,’ “ he says. “I started going back into the drafts of my old writing and saying, ‘OK, I want to take a little piece from here and maybe I’ll turn that into something.’”

Revisiting lyrics from nearly a decade earlier gave Sumner a new perspective on the subject matter. Songs such as Mourningstar, which chronicles the journey of three people through the residential-school and child-welfare systems, took on a different feeling this time around.

“In the demo version I was angry; you could hear it… revisiting the song that many years later, I was able to deliver it with a different cadence, from love rather than from anger,” Sumner says, adding that time has always been a necessary ingredient in his songwriting process. “(Songs) are like living relationships. Sometimes they grow and they become different things than what you originally intended.”

The song I4ni followed a similar progression. He wrote the song years ago as a meditation on colonization and Indigenous reclamation and since has added several verses in Ojibwe, a language he’s not yet fluent in, but has started learning with the help of his father.

Anishinaabe musician Leonard Sumner released his third album, Thunderbird, last month after sitting on the finished recording for a full year during the pandemic. (Daniel Crump / Winnipeg Free Press)
Anishinaabe musician Leonard Sumner released his third album, Thunderbird, last month after sitting on the finished recording for a full year during the pandemic. (Daniel Crump / Winnipeg Free Press)

Like many musicians, Sumner writes about what he knows, although sometimes he wonders if that’s the right approach to take.

“Am I doing any good talking about these things? Like, I don’t want to become somebody that’s just perpetuating poverty porn for people to listen to,” he says. “Are these songs creating positive change within our community? And from the messages I get from people, I believe that’s happening.”

He grapples with those questions by staying true to himself and those around him.

“I don’t see it as activism — I just see it as storytelling,” Sumner says of his music. “I’m not out there writing hard-luck stories for the sake of it. I’m helping express grief and I’m helping heal myself on my own journey. And through that, other people are also finding some peace in their experiences as well.”

While Thunderbird touches on serious topics, including the 2011 flood that has displaced many Little Saskatchewan residents, it also celebrates Sumner’s love for his family.

Leonard Sumner and Tasha Spillet-Sumner with their 13-month-old daughter, Isabella Sumner. (Daniel Crump / Winnipeg Free Press)
Leonard Sumner and Tasha Spillet-Sumner with their 13-month-old daughter, Isabella Sumner. (Daniel Crump / Winnipeg Free Press)

A few months after his mother died, Sumner and his wife, Tasha Spillett-Sumner — a local author whose children’s book, I Sang You Down From the Stars, recently made the New York Times bestseller list — found out they were expecting their first child. Their daughter Isabella was born in March 2020, a week before the world shut down.

Sumner had already finished recording the album — another full-circle moment, since he reconnected in the studio with Montreal producer David Hodges, who had worked on his first album — when the coronavirus pandemic arrived in Canada. He held off on its release for a year while the public health crisis raged. He decided to finally put it out this year on his daughter’s first birthday.

“It’s definitely a journey,” he says. “It feels awesome, it feels great. I love having it out… as an independent (musician), I’ve always just let it be out in the world and let it travel and do its thing.”

Thunderbird is available for download on most major streaming services.

 

eva.wasney@freepress.mb.ca

Twitter: @evawasney

Eva Wasney

Eva Wasney
Arts Reporter

Eva Wasney is a reporter for the Winnipeg Free Press.

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Updated on Thursday, April 22, 2021 8:56 AM CDT: Fixes typo

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